Bad Bunny’s “EoO” has recently passed 1 billion streams on Spotify after being featured in Spider-Man: Brand New Day. The track was originally released in 2025 as part of his sixth studio album, Debí Tirar Más Fotos, and was the fifth single of the album. As The Miami Hurricane states, the album is “A mix of traditional rhythms and modern notes, the album is both a celebration of the island he grew up in and a cautionary tale.” For this track, though, Enharmonic Magazine explains the song like this: “In [EoO], he talks about dancing perreo, going down on a woman who just turned 30, and being one of Puerto Rico’s greats.”
According to IMDb: “‘EoO’ stands for the ending syllable of ‘perreo,’ the sexual style of dancing generally associated with reggaeton that originated in Puerto Rico in the late 1980s.” And this song is definitely built for the club. However, even with its explicit lyrics, the new Spider-Man movie isn’t the only piece of media to use “EoO,” as it was played in the final trailer for Minions & Monsters. It’s not a surprise that it’s being highlighted since “EoO” won Best Global Music Performance at the 2026 Grammys, which you can see why below.
In the same Enharmonic Magazine article from before: “The vibrant track is built around a sample from Hector and Tito’s 2002 ‘Perreo Baby’, building into a sweltering song perfectly set to become a club classic.” The track uses the sample, which creates a sense of nostalgia for early reggaeton music. One aspect that helps this track align with reggaeton is dembow, a 3+3+2 syncopated rhythm that can be found in many reggaeton tracks but can be traced back even farther to Congolese and Ghanaian musical traditions. Something about the rhythm is hypnotizing and pulls listeners in, especially if it’s made for dancing.
In a Billboard Interview, Bad Bunny said of the whole album: “I also learned people want to hear music. Many people go into the studio thinking they’re going to create the next hit, looking for what’s trending, what’s hot. Everyone wants to do a two-minute song. And that’s not it. People want to hear music that’s real and heartfelt. That’s why a six-minute salsa track and a four-minute plena are top songs. This reconfirms to me that I don’t need to be any one way to have a hit. I need to be me, genuine, and do things from the heart.”
