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Watching Martha Argerich’s Hands: What Scarlatti’s K. 141 Teaches About Right‑Hand Technique
A Beatles Classic Filled With Hope Finds New Life in Bluegrass: ‘Here Comes the Sun’ Reimagined
Kendrick Lamar & SZA Win Record of the Year with “luther”: Why the Song Felt Inevitable
30 Years After His Death, Jeff Buckley Enters the Hot 100 With ‘Lover, You Should’ve Come Over’
A New Song So Good She Opened Glastonbury With It: Why RAYE’s ‘Where Is My Husband!’ Works
From ‘The Girl From Ipanema’ to Today’s Charts: Why Jazz Still Shapes Pop Music
Gloria Gaynor’s ‘I Will Survive’ as a Full-on Funk Piece: How Scary Pockets Reworked the Disco Classic
270 Years After His Birth, Mozart Still Captivates Pianists: Why ‘Rondo Alla Turca’ Endures
One Bass Line, Three Centuries: Handel, Halvorsen, and a Modern Passacaglia
From Bieber to Bruno Mars: How No. 1 Pop Hits Changed in a Decade
Sabrina Carpenter, With 6 Nominations, Will Perform at the Grammys (Again): How to Learn ‘Manchild’ for the Big Night
Why Chopin’s Waltz in A Minor Is an Ideal Entry Point for Pianists
Celebrate Dolly Parton’s 80th Birthday with ‘Jolene,’ Her Most Enduring Song
The Bad Plus Mark the End of a 26-Year Run: How They Changed Modern Jazz
BTS Is Back: Revisiting ‘I Need U,’ the Song That Changed Everything
The ‘Stranger Things’ Finale Sparked a Music Rush: How Djo’s ‘End of Beginning’ Finally Reached No. 1
How Harmony and Rhythm Express Romantic Uncertainty: Lessons from Olivia Dean’s ‘Man I Need’
Why Gibran Alcocer’s ‘Idea 22’ Works So Well on TikTok
Andrea Vanzo’s ‘Valzer d’Inverno’ Is the Perfect Winter Waltz of Memory, Stillness, and Light
Watch Asterism Reimagine Van Halen’s ‘Jump’ as a Guitar and Bass Showcase
How a Bach Bourrée Inspired Paul McCartney’s ‘Blackbird’
Wave to Earth’s ‘love.’ Is a Masterpiece, and It Sounds So Incredible on Violin