Deceptive cadence
Deceptive cadence · also called the interrupted cadence, V–vi
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Be the first to rate this toolDeceptive cadence — how it works
The Deceptive cadence sets up the dominant as if to end on the tonic and then lands on the relative minor instead, a surprise that keeps the phrase going — composers use it to delay an ending.
It moves from the dominant (V) to the submediant (vi) and then repeats. Each chord lasts 4 beats, so one pass of the 2 chords is 2 bars of 4/4.
In C major the chords are G – Am; in G major they are D – Em. Press play above to hear the progression, then pick the key that fits your voice or your song and set the tempo you want to practise at.
The Deceptive cadence in every key
The numerals stay the same; only the chords change. Find your key below, or pick it in the player above to hear it.
| Key | Chords |
|---|---|
| C major | G – Am |
| D♭ major | A♭ – B♭m |
| D major | A – Bm |
| E♭ major | B♭ – Cm |
| E major | B – C♯m |
| F major | C – Dm |
| F♯ major | C♯ – D♯m |
| G major | D – Em |
| A♭ major | E♭ – Fm |
| A major | E – F♯m |
| B♭ major | F – Gm |
| B major | F♯ – G♯m |
Frequently asked questions
- What chords are in the Deceptive cadence in C major?
- In C major the Deceptive cadence is G – Am. The same numerals give D – Em in G major; the table above lists all twelve keys.
- What are the roman numerals for the Deceptive cadence?
- The Deceptive cadence is V–vi — also called the interrupted cadence and V–vi. The Deceptive cadence sets up the dominant as if to end on the tonic and then lands on the relative minor instead, a surprise that keeps the phrase going — composers use it to delay an ending.
- How long is the Deceptive cadence?
- Each chord lasts 4 beats, so one pass of the 2 chords is 2 bars of 4/4. Loop it to keep the harmony going under a verse or a solo.