• Axis progression

    I – V – vi – IV

    1. C
    2. G
    3. Am
    4. F

    in C major · 4 beats per chord

    Used in: Let It Be (The Beatles) · I'm Yours (Jason Mraz) · No Woman, No Cry (Bob Marley) · With or Without You (U2)

    Chords in every key →
  • Axis rotation

    vi – IV – I – V

    1. Am
    2. F
    3. C
    4. G

    in C major · 4 beats per chord

    Used in: Complicated (Avril Lavigne) · Despacito (Luis Fonsi) · Save Tonight (Eagle-Eye Cherry) · Otherside (Red Hot Chili Peppers)

    Chords in every key →
  • '50s progression

    I – vi – IV – V

    1. C
    2. Am
    3. F
    4. G

    in C major · 4 beats per chord

    Used in: Stand by Me (Ben E. King) · Every Breath You Take (The Police) · Unchained Melody (The Righteous Brothers) · Earth Angel (The Penguins)

    Chords in every key →
  • Three-chord progression

    I – IV – V

    1. C
    2. F
    3. G

    in C major · 4 beats per chord

    Used in: La Bamba (Ritchie Valens) · Twist and Shout (The Beatles) · Blitzkrieg Bop (Ramones)

    Chords in every key →
  • Rock and roll loop

    I – IV – V – IV

    1. C
    2. F
    3. G
    4. F

    in C major · 4 beats per chord

    Used in: Wild Thing (The Troggs) · Hang On Sloopy (The McCoys)

    Chords in every key →
  • Mixolydian rock progression

    I – ♭VII – IV

    1. C
    2. B♭
    3. F

    in C major · 4 beats per chord

    Used in: Sweet Home Alabama (Lynyrd Skynyrd) · Sympathy for the Devil (The Rolling Stones) · Hey Jude (outro) (The Beatles)

    Chords in every key →
  • Royal road progression

    IV – V – iii – vi

    1. F
    2. G
    3. Em
    4. Am

    in C major · 4 beats per chord

    Chords in every key →

Samples: Salamander Grand Piano (CC-BY 3.0)

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I–vi–ii–V chord progression — how it works

The I–vi–ii–V progression replaces the IV of the doo-wop loop with the ii chord, so the bass walks down and the last two chords form a ii–V that pulls hard back to the tonic — the standard turnaround of the Great American Songbook.

It moves from the tonic (I) to the submediant (vi) to the supertonic (ii) to the dominant (V) and then repeats. Each chord lasts 4 beats, so one pass of the 4 chords is 4 bars of 4/4.

In C major the chords are C – Am – Dm – G; in G major they are G – Em – Am – D. Press play above to hear the progression, then pick the key that fits your voice or your song and set the tempo you want to practise at.

I–vi–ii–V in every key

The numerals stay the same; only the chords change. Find your key below, or pick it in the player above to hear it.

KeyChords
C majorC – Am – Dm – G
D♭ majorD♭ – B♭m – E♭m – A♭
D majorD – Bm – Em – A
E♭ majorE♭ – Cm – Fm – B♭
E majorE – C♯m – F♯m – B
F majorF – Dm – Gm – C
F♯ majorF♯ – D♯m – G♯m – C♯
G majorG – Em – Am – D
A♭ majorA♭ – Fm – B♭m – E♭
A majorA – F♯m – Bm – E
B♭ majorB♭ – Gm – Cm – F
B majorB – G♯m – C♯m – F♯

Songs that use it

Well-known songs built on this progression, at least in the section each is known for:

  • Blue Moon Richard Rodgers
  • Heart and Soul Hoagy Carmichael

Frequently asked questions

What chords are in the I–vi–ii–V progression in C major?
In C major the I–vi–ii–V progression is C – Am – Dm – G. The same numerals give G – Em – Am – D in G major; the table above lists all twelve keys.
What is the I–vi–ii–V progression called?
I–vi–ii–V is known as the Songwriter turnaround, and also as the 1–6–2–5. The I–vi–ii–V progression replaces the IV of the doo-wop loop with the ii chord, so the bass walks down and the last two chords form a ii–V that pulls hard back to the tonic — the standard turnaround of the Great American Songbook.
How long is the I–vi–ii–V progression?
Each chord lasts 4 beats, so one pass of the 4 chords is 4 bars of 4/4. Loop it to keep the harmony going under a verse or a solo.
What songs use the I–vi–ii–V progression?
"Blue Moon" by Richard Rodgers and "Heart and Soul" by Hoagy Carmichael are built on it, at least in the section each is known for.