Playing, Part 2

Chapter 15: Playing the Melody from a Fake Book

Play melody and harmony together from a fake book — advanced left-hand arpeggio patterns and several ways to voice chords beneath the tune.

  1. More Advanced Left-Hand Patterns with Arpeggios

    Expand your left-hand accompaniment with open triad arpeggios, spreading chord tones beyond an octave to create richer, fuller broken-chord patterns from fake-book symbols.

  2. Using Intervals Below the Melody

    Add warmth to a melody by placing 6ths and 3rds beneath it in the right hand, building fuller arrangements without obscuring the tune.

  3. Forming Triads Below the Melody

    Build fuller right-hand arrangements by forming basic and upper-structure triads beneath the melody, adding two chord tones under each melody note.

  4. Using the 7th and the 3rd of the Chord Below the Melody

    Master the jazz staple of voicing the 7th and 3rd of a chord below the melody, demonstrated on the standard "All the Things You Are."

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