Justin Beckner
Feature Writer
Justin has been a music journalist and photographer for over 20 years, having written for many music-centric publications. He attended college at the University of Minnesota. He is a guitar builder and lover of all things music-related. He does play guitar, bass, and piano in whatever little free time he can find.
Articles by Justin Beckner
Disturbed's 'Sound of Silence' Feels So Different From the Original, and They Didn't Even Change the Key
The Gen Alpha Melody Appeared in Hundreds of Pop Songs for 20 Years and Nobody Ever Sued
Why 'Twinkle, Twinkle, Little Star' Is One of the Most Enduring Melodies Ever, and How It Quietly Became Three Different Songs
A Near-Perfect Earworm, J.G. Wentworth's '877-CASH-NOW' Is Built on Fake Opera and One Chromatic Note
Mancini Already Hired His Saxophonist Before Finishing 'The Pink Panther Theme': The Melody Was Built Around Him
It's Not the Disco Groove: ABBA's 'Dancing Queen' Greatness Is in a Melody That Refuses to Resolve
Although in 5/4, Lalo Schifrin's 'Mission: Impossible' Theme Flows Naturally. It's Thanks to the Bass Line
Don't Lock to a Click With Gigi Perez's 'Sailor Song': The Vocal Is Driving the Time, Not the Other Way Around
How The Rolling Stones Smuggled The Phrygian Mode Into Pop Radio With 'Paint It Black' And Made It A #1 Hit
Olivia Dean's 'So Easy' Sounds Effortlessly Sweet, but the Secondary Dominant Pulls It Toward the Minor Key Feel
Buck Owens' 'Made In Japan' Is a 3-Chord '70s Country Song. It's Now Going Viral on TikTok Over 50 Years Later
Beethoven Buried Quiet Agitation in 'Für Elise': It Never Actually Resolves
A-Ha Wrote 'Take on Me' Around Morten Harket's Freakish Vocal Range: A2 to E5 in a 3-Minute Pop Song
How the Tritone Makes Lloyd Webber's 'The Phantom of the Opera' Feel Genuinely Threatening, Not Just Dark
How Gary Jules Made 'Mad World' Feel More Exposed Than Tears for Fears' Original
The Endless Dread of the Oppenheimer Score and the Compositional Trick Behind It: Ludwig Göransson's Use of the Shepard Tone
It Never Feels Resolved: How The Killers' 'Mr. Brightside' Feels Like an Anxious Thought You Can't Shake
Amplified Yamaha Piano Instead of Guitar: How Keane Built a Chart-Topping Hit with 'Somewhere Only We Know'
'Let It Be' Came From a Dream About McCartney's Late Mother. He Almost Named It After the Beatles' Road Manager
Chappell Roan's 'Pink Pony Club' Resonates With New Generations Due to Its Masterful Songwriting
'Billie Jean' Bass Line Never Changes. That Was Michael Jackson and Quincy Jones' Whole Point
Chords in 'Just the Two of Us' Are More Sophisticated Than They Sound: Jazz Extensions and Voice Leading