Justin Beckner
Feature Writer
Justin has been a music journalist and photographer for over 20 years, having written for many music-centric publications. He attended college at the University of Minnesota. He is a guitar builder and lover of all things music-related. He does play guitar, bass, and piano in whatever little free time he can find.
Articles by Justin Beckner
Radiohead's 'Karma Police' Quietly Lifts a Beatles Chord Move, and the Resemblance Is Real
'The Song Stays or I Go': How a Producer's Ultimatum Saved 'Over the Rainbow'
One Chord Makes 'California Dreamin'' Undercut Its Own Lyrical Promise: The Word 'Warm' Lands on C# Minor
Bare Power Chords and One Simple Bass Line: Why 'Eye of the Tiger' Hits So Hard
The 'Orchestra' in 'Nights in White Satin' Isn't Real Strings, and the Song Never Resolves Its Own Chords
How One Relentless Bass Line Drives Michael Jackson's 'Smooth Criminal': The Song Never Changes Chords
'Entry of the Gladiators': How a Serious Roman Triumph Became America's Clown March
'You've Got a Friend in Me' Still Works: The Randy Newman Chord Tricks Taylor Swift Just Sang Over
Disturbed's 'Sound of Silence' Feels So Different From the Original, and They Didn't Even Change the Key
The Gen Alpha Melody Appeared in Hundreds of Pop Songs for 20 Years and Nobody Ever Sued
Why 'Twinkle, Twinkle, Little Star' Is One of the Most Enduring Melodies Ever, and How It Quietly Became Three Different Songs
A Near-Perfect Earworm, J.G. Wentworth's '877-CASH-NOW' Is Built on Fake Opera and One Chromatic Note
Mancini Already Hired His Saxophonist Before Finishing 'The Pink Panther Theme': The Melody Was Built Around Him
It's Not the Disco Groove: ABBA's 'Dancing Queen' Greatness Is in a Melody That Refuses to Resolve
Although in 5/4, Lalo Schifrin's 'Mission: Impossible' Theme Flows Naturally. It's Thanks to the Bass Line
Don't Lock to a Click With Gigi Perez's 'Sailor Song': The Vocal Is Driving the Time, Not the Other Way Around
How The Rolling Stones Smuggled The Phrygian Mode Into Pop Radio With 'Paint It Black' And Made It A #1 Hit
Olivia Dean's 'So Easy' Sounds Effortlessly Sweet, but the Secondary Dominant Pulls It Toward the Minor Key Feel
Buck Owens' 'Made In Japan' Is a 3-Chord '70s Country Song. It's Now Going Viral on TikTok Over 50 Years Later
Beethoven Buried Quiet Agitation in 'Für Elise': It Never Actually Resolves
A-Ha Wrote 'Take on Me' Around Morten Harket's Freakish Vocal Range: A2 to E5 in a 3-Minute Pop Song
How the Tritone Makes Lloyd Webber's 'The Phantom of the Opera' Feel Genuinely Threatening, Not Just Dark