Claude Debussy is one of the most accomplished composers of all time, but he is probably best known in modern times for “Clair de Lune.” The piece, which is the third movement of his Suite bergamasque, captures the intangible with its tranquil textures and expressive nature. It’s been performed by countless musicians on and off the stage since it was published in 1905, but this version by Maria João Pires is on another level.
The Portuguese pianist seems to pour all of her memories and emotions into the performance, starting with the softest touch and building her dynamics as the swirling arpeggios take hold. According to advice he gave to pianist Maurice Dumesnil, Debussy himself would be proud.
“Clair de Lune” is written in Db major with a time signature of 9/8. Debussy advised Dumesnil not to be too strict on the opening rhythm, saying there should be “general flexibility.” And as for the middle section, Debussy said, “The left hand arpeggios should be fluid, mellow, drowned in pedal, as if played by a harp on a background of strings.”
It’s clear why Pires is renowned as a master interpreter of 18th and 19th-century piano music. It’s as if she knows exactly what the composer wanted, and that makes this one of the most breathtaking interpretations of the piece you’ll ever hear.
Follow along and spread a bit of your own moonlight with the score:
