• ii–V–I

    ii7 – V7 – Imaj7

    1. Dm7
    2. G7
    3. Cmaj7

    in C major · 4 beats per chord

    Used in: Satin Doll (Duke Ellington) · Tune Up (Miles Davis)

    Chords in every key →
  • Jazz turnaround

    Imaj7 – vi7 – ii7 – V7

    1. Cmaj7
    2. Am7
    3. Dm7
    4. G7

    in C major · 2 beats per chord

    Used in: I Got Rhythm (George Gershwin) · Oleo (Sonny Rollins)

    Chords in every key →
  • Extended turnaround

    iii7 – vi7 – ii7 – V7

    1. Em7
    2. Am7
    3. Dm7
    4. G7

    in C major · 2 beats per chord

    Chords in every key →
  • Minor ii–V–i

    iiø7 – V7 – i7

    1. Dm7♭5
    2. G7
    3. Cm7

    in C minor · 4 beats per chord

    Used in: Autumn Leaves (Joseph Kosma) · Blue Bossa (Kenny Dorham)

    Chords in every key →
  • Circle progression

    vi7 – ii7 – V7 – Imaj7

    1. Am7
    2. Dm7
    3. G7
    4. Cmaj7

    in C major · 4 beats per chord

    Used in: Fly Me to the Moon (Bart Howard) · I Will Survive (Gloria Gaynor)

    Chords in every key →

Samples: Salamander Grand Piano (CC-BY 3.0)

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i7–IV7 chord progression — how it works

The i7–IV7 progression rocks between a minor seventh tonic and a major IV, the two chords that define the Dorian mode, so it can loop for minutes as a bed for soloing — the sound of modal jazz, Latin rock and funk.

It moves from the tonic (i7) to the subdominant (IV7) and then repeats. Each chord lasts 4 beats, so one pass of the 2 chords is 2 bars of 4/4.

In A minor the chords are Am7 – D7; in E minor they are Em7 – A7. Press play above to hear the progression, then pick the key that fits your voice or your song and set the tempo you want to practise at.

i7–IV7 in every key

The numerals stay the same; only the chords change. Find your key below, or pick it in the player above to hear it.

KeyChords
C minorCm7 – F7
C♯ minorC♯m7 – F♯7
D minorDm7 – G7
D♯ minorD♯m7 – G♯7
E minorEm7 – A7
F minorFm7 – B♭7
F♯ minorF♯m7 – B7
G minorGm7 – C7
G♯ minorG♯m7 – C♯7
A minorAm7 – D7
B♭ minorB♭m7 – E♭7
B minorBm7 – E7

Songs that use it

Well-known songs built on this progression, at least in the section each is known for:

  • Oye Como Va Santana
  • Evil Ways Santana

Frequently asked questions

What chords are in the i7–IV7 progression in A minor?
In A minor the i7–IV7 progression is Am7 – D7. The same numerals give Em7 – A7 in E minor; the table above lists all twelve keys.
What is the i7–IV7 progression called?
i7–IV7 is known as the Dorian vamp, and also as the i–IV vamp and modal vamp. The i7–IV7 progression rocks between a minor seventh tonic and a major IV, the two chords that define the Dorian mode, so it can loop for minutes as a bed for soloing — the sound of modal jazz, Latin rock and funk.
How long is the i7–IV7 progression?
Each chord lasts 4 beats, so one pass of the 2 chords is 2 bars of 4/4. Loop it to keep the harmony going under a verse or a solo.
What songs use the i7–IV7 progression?
"Oye Como Va" by Santana and "Evil Ways" by Santana are built on it, at least in the section each is known for.