• 12-bar blues

    I7 – I7 – I7 – I7 – IV7 – IV7 – I7 – I7 – V7 – IV7 – I7 – V7

    1. C7
    2. C7
    3. C7
    4. C7
    5. F7
    6. F7
    7. C7
    8. C7
    9. G7
    10. F7
    11. C7
    12. G7

    in C major · 4 beats per chord

    Used in: Johnny B. Goode (Chuck Berry) · Hound Dog (Elvis Presley) · Sweet Home Chicago (Robert Johnson)

    Chords in every key →
  • 8-bar blues

    I7 – V7 – IV7 – IV7 – I7 – V7 – I7 – V7

    1. C7
    2. G7
    3. F7
    4. F7
    5. C7
    6. G7
    7. C7
    8. G7

    in C major · 4 beats per chord

    Used in: Key to the Highway (Big Bill Broonzy)

    Chords in every key →

Samples: Salamander Grand Piano (CC-BY 3.0)

Rate this tool

Be the first to rate this tool

Minor 12-bar blues — how it works

The Minor 12-bar blues keeps the twelve-bar form but puts the tonic and subdominant in minor, leaving only the V as a dominant seventh, which makes it brooding and soulful rather than rowdy.

Each chord lasts 4 beats, so one pass of the 12 chords is 12 bars of 4/4.

In A minor the chords are Am7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7; in E minor they are Em7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7. Press play above to hear the progression, then pick the key that fits your voice or your song and set the tempo you want to practise at.

The Minor 12-bar blues in every key

The numerals stay the same; only the chords change. Find your key below, or pick it in the player above to hear it.

KeyChords
C minorCm7 – Cm7 – Cm7 – Cm7 – Fm7 – Fm7 – Cm7 – Cm7 – G7 – Fm7 – Cm7 – G7
C♯ minorC♯m7 – C♯m7 – C♯m7 – C♯m7 – F♯m7 – F♯m7 – C♯m7 – C♯m7 – G♯7 – F♯m7 – C♯m7 – G♯7
D minorDm7 – Dm7 – Dm7 – Dm7 – Gm7 – Gm7 – Dm7 – Dm7 – A7 – Gm7 – Dm7 – A7
D♯ minorD♯m7 – D♯m7 – D♯m7 – D♯m7 – G♯m7 – G♯m7 – D♯m7 – D♯m7 – A♯7 – G♯m7 – D♯m7 – A♯7
E minorEm7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7
F minorFm7 – Fm7 – Fm7 – Fm7 – B♭m7 – B♭m7 – Fm7 – Fm7 – C7 – B♭m7 – Fm7 – C7
F♯ minorF♯m7 – F♯m7 – F♯m7 – F♯m7 – Bm7 – Bm7 – F♯m7 – F♯m7 – C♯7 – Bm7 – F♯m7 – C♯7
G minorGm7 – Gm7 – Gm7 – Gm7 – Cm7 – Cm7 – Gm7 – Gm7 – D7 – Cm7 – Gm7 – D7
G♯ minorG♯m7 – G♯m7 – G♯m7 – G♯m7 – C♯m7 – C♯m7 – G♯m7 – G♯m7 – D♯7 – C♯m7 – G♯m7 – D♯7
A minorAm7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7
B♭ minorB♭m7 – B♭m7 – B♭m7 – B♭m7 – E♭m7 – E♭m7 – B♭m7 – B♭m7 – F7 – E♭m7 – B♭m7 – F7
B minorBm7 – Bm7 – Bm7 – Bm7 – Em7 – Em7 – Bm7 – Bm7 – F♯7 – Em7 – Bm7 – F♯7

Songs that use it

Well-known songs built on this progression, at least in the section each is known for:

  • The Thrill Is Gone B.B. King
  • Equinox John Coltrane

Frequently asked questions

What chords are in the Minor 12-bar blues in A minor?
In A minor the Minor 12-bar blues is Am7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7. The same numerals give Em7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7 in E minor; the table above lists all twelve keys.
What are the roman numerals for the Minor 12-bar blues?
The Minor 12-bar blues is i7–i7–i7–i7–iv7–iv7–i7–i7–V7–iv7–i7–V7 — also called the minor blues progression. The Minor 12-bar blues keeps the twelve-bar form but puts the tonic and subdominant in minor, leaving only the V as a dominant seventh, which makes it brooding and soulful rather than rowdy.
How long is the Minor 12-bar blues?
Each chord lasts 4 beats, so one pass of the 12 chords is 12 bars of 4/4.
What songs use the Minor 12-bar blues?
"The Thrill Is Gone" by B.B. King and "Equinox" by John Coltrane are built on it, at least in the section each is known for.