Minor 12-bar blues
Minor 12-bar blues · also called the minor blues progression
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The Minor 12-bar blues keeps the twelve-bar form but puts the tonic and subdominant in minor, leaving only the V as a dominant seventh, which makes it brooding and soulful rather than rowdy.
Each chord lasts 4 beats, so one pass of the 12 chords is 12 bars of 4/4.
In A minor the chords are Am7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7; in E minor they are Em7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7. Press play above to hear the progression, then pick the key that fits your voice or your song and set the tempo you want to practise at.
The Minor 12-bar blues in every key
The numerals stay the same; only the chords change. Find your key below, or pick it in the player above to hear it.
| Key | Chords |
|---|---|
| C minor | Cm7 – Cm7 – Cm7 – Cm7 – Fm7 – Fm7 – Cm7 – Cm7 – G7 – Fm7 – Cm7 – G7 |
| C♯ minor | C♯m7 – C♯m7 – C♯m7 – C♯m7 – F♯m7 – F♯m7 – C♯m7 – C♯m7 – G♯7 – F♯m7 – C♯m7 – G♯7 |
| D minor | Dm7 – Dm7 – Dm7 – Dm7 – Gm7 – Gm7 – Dm7 – Dm7 – A7 – Gm7 – Dm7 – A7 |
| D♯ minor | D♯m7 – D♯m7 – D♯m7 – D♯m7 – G♯m7 – G♯m7 – D♯m7 – D♯m7 – A♯7 – G♯m7 – D♯m7 – A♯7 |
| E minor | Em7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7 |
| F minor | Fm7 – Fm7 – Fm7 – Fm7 – B♭m7 – B♭m7 – Fm7 – Fm7 – C7 – B♭m7 – Fm7 – C7 |
| F♯ minor | F♯m7 – F♯m7 – F♯m7 – F♯m7 – Bm7 – Bm7 – F♯m7 – F♯m7 – C♯7 – Bm7 – F♯m7 – C♯7 |
| G minor | Gm7 – Gm7 – Gm7 – Gm7 – Cm7 – Cm7 – Gm7 – Gm7 – D7 – Cm7 – Gm7 – D7 |
| G♯ minor | G♯m7 – G♯m7 – G♯m7 – G♯m7 – C♯m7 – C♯m7 – G♯m7 – G♯m7 – D♯7 – C♯m7 – G♯m7 – D♯7 |
| A minor | Am7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7 |
| B♭ minor | B♭m7 – B♭m7 – B♭m7 – B♭m7 – E♭m7 – E♭m7 – B♭m7 – B♭m7 – F7 – E♭m7 – B♭m7 – F7 |
| B minor | Bm7 – Bm7 – Bm7 – Bm7 – Em7 – Em7 – Bm7 – Bm7 – F♯7 – Em7 – Bm7 – F♯7 |
Songs that use it
Well-known songs built on this progression, at least in the section each is known for:
- The Thrill Is Gone — B.B. King
- Equinox — John Coltrane
Frequently asked questions
- What chords are in the Minor 12-bar blues in A minor?
- In A minor the Minor 12-bar blues is Am7 – Am7 – Am7 – Am7 – Dm7 – Dm7 – Am7 – Am7 – E7 – Dm7 – Am7 – E7. The same numerals give Em7 – Em7 – Em7 – Em7 – Am7 – Am7 – Em7 – Em7 – B7 – Am7 – Em7 – B7 in E minor; the table above lists all twelve keys.
- What are the roman numerals for the Minor 12-bar blues?
- The Minor 12-bar blues is i7–i7–i7–i7–iv7–iv7–i7–i7–V7–iv7–i7–V7 — also called the minor blues progression. The Minor 12-bar blues keeps the twelve-bar form but puts the tonic and subdominant in minor, leaving only the V as a dominant seventh, which makes it brooding and soulful rather than rowdy.
- How long is the Minor 12-bar blues?
- Each chord lasts 4 beats, so one pass of the 12 chords is 12 bars of 4/4.
- What songs use the Minor 12-bar blues?
- "The Thrill Is Gone" by B.B. King and "Equinox" by John Coltrane are built on it, at least in the section each is known for.